We all remember griffins from Harry Potter, but did you know
you can see them when you’re driving on the Merritt Parkway? Those and more esoteric designs, such as Nike
Wings (not the sneaker!), to the more everyday butterflies and spider webs,
grace the bridges and overpasses along the 37.5 mile roadway. Adding to the beauty of your drive are the aesthetically
pleasing landscapes of the median strip. The parkway, which runs through
Fairfield County, was largely responsible for the County’s prosperity and
population growth in the 20th century. In fact, “…it was the opening of the parkway
that helped precipitate the hegira to Fairfield County”. Built to relieve highway congestion in New
York and Connecticut, it became an alternate route to the Post Road and
accommodated recreational driving, known as the “Sunday drive”. The cars only, no trucks policy adds to the
bucolic aura.
Heiss and Smyth divide the book, published on October 21, by
decade, spanning from the 1920s to the 2010s.
They add a touch of flare by subtitling each chapter with the most
popular car of the decade and a song that would have played on the car radio at
the time. For the 2000s, it’s the Toyota Prius Hybrid and “Empire State of
Mind” by JZ and Alicia Keyes. Today,
most young people see it as just a highway, but it was extremely important to
the generations of the past because of “a needed job, a delightful escape, fall
colors and spring blossoms, a Sunday family tradition, access to home ownership
further from a job location, the joy of the golden age of the automobile, [and]
a new love affair with the road”. The
opening of the Merritt parkway, therefore, had a major impact on the lives of
Fairfield County residents who grew to appreciate its convenience. Over the years they have sought to protect
its integrity and preserve its special qualities for future generations.
The famous bridges of the parkway (all 72) were designed by
artist and architect, George Dunkelberger.
He took into account the natural surroundings before individualizing the
architectural designs of each bridge per road.
The designs range from art deco
to rustic stone-face to late gothic revival and more. The Merritt comprises “a precious collection
of diversely styled bridges with a touch of whimsy”. Next time you find yourself in a traffic slow
down on the parkway, take a longer look at one of these famed architectural
masterpieces remembering the timeless significance of “the road that shaped a
region”.
Interview with Laurie Heiss and Jill Smyth:
1) Understanding your involvement in the Merritt Parkway
Conservancy, what inspired you both to compile a book about the history behind
the Merritt Parkway?
We were actually pursued by the History Press, the publisher
for The Merritt Parkway. I (Jill) was approached and realized I didn’t
want to take on the project on my own so I went to Laurie with the idea. The other Parkway books on the market are
mostly out of print or outdated and predominantly books of photographs. We also felt publishing this now was a result
of good timing since the Merritt’s 75th Anniversary is next year.
2) What is your favorite aspect of the parkway?
There are certain bridges that I (Laurie) adore and I also
enjoy the intimacy of the roadside, more specifically the framing of the road
and the landscaping. I (Jill) would say
the most important and interesting aspect of the parkway is its influence on
Fairfield County. When the Merritt first
opened it was a form of entertainment for drivers and it’s wonderful that we’re
still able to experience the parkway in much of the same way!
3) Is this your first writing project? Do either of you have
anything planned for the future?
This is our first book both individually and jointly, however,
I (Laurie) wrote segments of different business books and worked on an internal
book for GE. I enjoy writing whereas
Jill prefers the research portion of preparing a book. However, this book was
written and researched equally by both of us because we believe it is crucial
to write from your own research. We
don’t have anything planned yet in terms of another book.
4) What was the hardest thing about writing this and
obtaining such wonderful photographs to accompany the book?
The outline was probably the hardest part of the process along
with the anxiety about overlooking anything in our research. Sometimes we would know a bit of information
in the book was wrong that the editor had missed, but since they were on a tight
schedule it would still go to print. We
discovered the book distribution process to be very slow as well. Our main difficulties included everything
from fact checking information to verifying sources to working with editors on
a schedule to merging and sorting photographs into their correct placements
including their captions. Obtaining
high-resolution photographs was problematic because many of the pictures were
so old or because taking a picture of something with our phones did not have a
high enough image quality. Therefore,
there were technological challenges as well.
It seemed backwards to us that the photographs were due before the text
in editorial; it would have been easier to fit the pictures in afterwards. Regarding research and ability to obtain
sources, we were actually able to acquire a lot of primary sources from Buzz
Merritt, whose great uncle was the namesake of the Merritt Parkway. He provided folders of papers and letters
from the advisory meetings of the ‘80s.
5) Your book is divided by decade. Which do you think was most influential in
the growth and survival of the parkway?
The 1930s was the decade in which the Merritt was built,
however, the activism of the 1970s was also highly influential. Additionally, the 1920s was the decade in
which people fought for a vision, an image in their minds, to create something
beautiful out of the New York and Connecticut countryside. At this point in time the project had not
even been financed yet! There were
immense hurdles throughout the ‘20s. The
actual construction of the parkway happened relatively fast, but the plan and
design of it all took ten years. So they
had to keep the pressure on for about ten years from the mid ‘20s to about
1934.
6) What advice would you give researchers and writers?
Every time you read something for later use, write it
down. Put all your information in the
same place and fully document your sources.
If you take a picture with your phone of crucial information, write a
log of your sources. The key is
organization and documentation.
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